Without our bodies, we could not play our instruments.
When I studied with Jean Ferrandis he would say that everything has a frequency, and we shouldn’t disrespect the natural frequencies. Meaning, for example, that if we blow way too much or too little we’re not respecting the frequency of the instrument.
In the time since I studied with Jean, I’ve also come to realize that this also means we have to respect the frequencies of our body.
I think about this concept a lot now. If we over or under use parts of the body in our playing, we will compensate somewhere else, creating tension, extra effort, and blocking resonance.
If our body feels unnatural or is used inefficiently, it will translate not just to the way we sound, but also to our mind state.
Elaborate briefly on movement benefits - concept from yoga of meeting yourself where you are. Perfect for building a warm up routine
We’re all aware just how important exercise is for our health. At the root of it though, it doesn’t matter if you run, lift weights, hike, bike, or do water aerobics.
Movement is what matters.
There is an intersection here with yoga that I particularly love. Yoga encourages us to meet ourselves firmly where we are. It asks us to move with what we have, with acceptance and an understanding that we are not moving to change but to know ourselves better. It’s an approach to physical movement that is particularly relevant to playing an instrument.
When we consider how our physical body impacts our playing, it is important to do so from this place of meeting. Meeting ourselves where we are, and understanding what we need.
Consider how it feels to play your instrument when you are in an optimum physical state - no tension, no restriction, everything is free and resonant.
Now think about the difference when you feel tense.
With those two different experiences in mind, imagine yourself performing. What happens to your body when you are on stage? Does your breathing remain free? Do you feel that familiar tension? Or, maybe something different happens entirely like shaky hands or dry mouth.
Most of us are intimately familiar with our physical ticks and habits as they relate to playing our instrument. Not very many of us have a regular movement routine that addresses our strengths and weaknesses as they relate to playing, though.
Imagine the amount of concentration and brain power you could waste thinking about a tense muscle, or worrying you won’t get enough air in your next breath because your chest feels tight on stage.
Not only do physical issues limit our actual performance, they limit our mind in performance.
So how can you respect your frequencies?
A good place to start is by simply noticing:
Building a base level awareness of what’s happening in our bodies is the first step toward finding neutral and creating efficiency.
I hope you’ll join me for the Warm Up to Flow workshop to meet yourself where you are, acknowledge yourself under pressure and identify helpful elements to add to your warm up to find your peak physical performance state.
Hi, I'm Morgann! A flutist, teacher, meditator, aspiring yogini, and life long learner figuring out how to create my way through life one crazy idea at a time.